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Sunday, January 26, 2014

The Development of Music Theory: A Comparison between the Medieval and Renaissance Periods

Music has always been evolving. Usually the changes atomic number 18 slow and gradual, scarce in certain visors by dint ofout history, great strides and innovations are made, do an unvarnished shift in the way people play, write, and speculate approximately music. One of the most important shifts occurred between the mediaeval and reincarnation condemnation utmosts. The Medieval period is usually considered to be between 476 and 1450, and the Renaissance period is considered to be from 1450 to 1600. 1450 marked the twist point. This point showed great advancements in the way of music theory, specifically, through the sympathy and usage of polyphony, rhythm, harmony, as well as more earliest(a) elements of music. For a brief period, in that respect was an overlap in the polyphonous styles. At the start of the wee 16th century, the old polyphonous style was being taken over by the provide one. There is a collection of works which was compiled in the earl y 16th century in a Franciscan monastery in Belgium. It consisted of 75 paper folios, and within them, two different styles of feel were utilized. The old square notation is used on a few of them, but the white mensural notation, used virtually entirely in note-against-note style, dominates the older style. Within the same folio, there are also two sports of the same chant, the older indication which was written for three voices, and the newer one which was written for four. While the cantis firmi are still in the tenor, that voice is now the second from the bottom, and for this time period, it started to be widely used in intervals of thirds with the lowest voice. This was a much different way of looking at the neighborly organization of different voices. The polyphonic music during the medieval period grew from the relatively simple harmonies of... If you want to get a unspoiled essay, hostel it on our website: OrderCustomPaper.c! om

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